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Sunday, January 20, 2008
Confidence, Crushed
posted by barsoomcore
Some things just seem so obvious to me. Like the notion that Arnold's Conan and Julie's Maria belong together. Sort of. If you, you know, don't think about it too much.So we watched Conan The Barbarian a while back, cause it's awesome (as you know), and I was listening to Julie Andrews singing "I Have Confidence", which is also awesome (as you also know) (and yes, I have The Sound of Music soundtrack on my iTunes rotation) (but I wasn't listening to Julie Andrews WHILE we were watching Conan, cause that would be annoying), and to be honest, the rest was just figuring out how to use new toys.
Steph got me a digital drum machine last year, and this is the first track I've used it on. It's called iDrum and it integrates fully into GarageBand 2. It also works very well as an independent groove-maker, outputting aiff files you can then drag into GarageBand as loops. Awesomely cool.
So this track features less GarageBand loops than any track I've done so far, I think. Only one pre-fabricated GarageBand loop is used in here -- bonus points if you can guess which instrument it is.
Crush Kittens
Steph again provided useful ideas. She also said I should lose the guitar. This time I couldn't bring myself to take it out. Way it goes.
Saturday, September 22, 2007
Finish What You Start
posted by barsoomcore
Okay, so we were watching this tremendous British noir called They Made Me A Fugitive (damn them) with Trevor Howard and Sally Grey (where are all the Sallys these days?), and there's fantastic bit in the middle where our now-a-fugitive hero (I don't think I'm giving too much away if I say that a some point in the film the hero becomes a fugitive) confronts young Miss Grey and delivers a blistering speech on finishing what you start.It's a nailbiter, for sure, largely because you're never entirely sure how far our desperate hero is willing to go. Trevor Howard is a great square-jawed but morally uncertain hero, and Sally delivers pluck and charm a-plenty. Rest assured she does, in the end, finish what she started.
Anyway, that speech kept rattling around in my head, and then it got really hot, and one day we were walking across the park and Steph mumbled, "It's too darn hot," and then Trevor Howard got mixed up with Cole Porter. And a cowbell.
So here's "Finish":
It's possible it needs more cowbell.
Sunday, November 26, 2006
You Are In Love
posted by barsoomcore
Saw Brotherhood of the Wolf at the Festival here a few years back. Liked it okay -- painfully overcut, but otherwise some good stuff. Some time later Steph said, "Hey, remember that Italian actress from Brotherhood? The prostitute? She was really good -- she was in another movie, Tears of the Sun. Let's check it out."
Of course the woman in question is the actress Monica Bellucci, and is only one of an endless line of amazing actors that Steph has managed to pick out of the crowd and alert us to before we even know who they are. We have a whole "stable" of actors that she's identified as worth keeping tabs on. Sometimes we end up watching great actors in not-so-great movies (Tears of the Sun, say), but it's always thrilling watching somebody live up to the potential you see in them and deliver spectacular performances.
Now ordinarily I prefer subtitles to dubbing, since voice acting is if anything harder than normal acting, but Blaine's copy of Brotherhood doesn't include subtitles, so we watched it in English. And discovered that many of the actors did their own English dubs (since they're European and thus speak thirty languages) -- including Monica. So I grabbed a bunch of choice utterances, scrambled them up with a little Herb Alpert and the Tijuana Brass ("Green Peppers" from Whipped Cream and Other Delights), added a solid base of GarageBand loops and voila!
You Are In Love (We're Not Married)
Learned a lot listening carefully to Dmitri From Paris, Towa Tei and Coldcut on a recent trip to TO. It may not show, but I swear I learned it! I got more help from Steph, of course, than I did from any of them.
Of course the woman in question is the actress Monica Bellucci, and is only one of an endless line of amazing actors that Steph has managed to pick out of the crowd and alert us to before we even know who they are. We have a whole "stable" of actors that she's identified as worth keeping tabs on. Sometimes we end up watching great actors in not-so-great movies (Tears of the Sun, say), but it's always thrilling watching somebody live up to the potential you see in them and deliver spectacular performances.
Now ordinarily I prefer subtitles to dubbing, since voice acting is if anything harder than normal acting, but Blaine's copy of Brotherhood doesn't include subtitles, so we watched it in English. And discovered that many of the actors did their own English dubs (since they're European and thus speak thirty languages) -- including Monica. So I grabbed a bunch of choice utterances, scrambled them up with a little Herb Alpert and the Tijuana Brass ("Green Peppers" from Whipped Cream and Other Delights), added a solid base of GarageBand loops and voila!You Are In Love (We're Not Married)
Learned a lot listening carefully to Dmitri From Paris, Towa Tei and Coldcut on a recent trip to TO. It may not show, but I swear I learned it! I got more help from Steph, of course, than I did from any of them.
Wednesday, October 18, 2006
Flying Babies!
posted by barsoomcore
Today, a blast from the past: a scene from The Wrong Apartment, a film we did eight years ago (can it really have been that long?).
First, the notion: we wanted to do a "reimagining" of the "Odessa Steps" sequence from The Untouchables, only with an elevator instead of a staircase (mainly because the staircases in the building were not suitable for that sort of thing). The thinking and crazy idea-making that came up around that idea led to what you see here:
Obviously we're limited by not having guns or squibs, but we did have a lot of fun. Note that the scene more or less follows the three-act structure John Rogers has noted as required for an action scene: the opening that establishes the problem, introduction of complicating element (baby carriage), and then resolves itself through that element (flying baby).
Honestly, if we'd had squibs and blanks, I wouldn't change much about this sequence.
First, the notion: we wanted to do a "reimagining" of the "Odessa Steps" sequence from The Untouchables, only with an elevator instead of a staircase (mainly because the staircases in the building were not suitable for that sort of thing). The thinking and crazy idea-making that came up around that idea led to what you see here:
Obviously we're limited by not having guns or squibs, but we did have a lot of fun. Note that the scene more or less follows the three-act structure John Rogers has noted as required for an action scene: the opening that establishes the problem, introduction of complicating element (baby carriage), and then resolves itself through that element (flying baby).
Honestly, if we'd had squibs and blanks, I wouldn't change much about this sequence.
Tuesday, September 26, 2006
More Groove
posted by barsoomcore
I seem to be in the midst of creating a bunch of sort of "movie-related" music. One reason is that since I can't sing worth piss, and don't have any useful way of recording voices anyhow, I use vocals I can get ahold of, like movie dialogue.
Also some of my favourite music is movie music (like the Kong theme) so what are you going to do?
Now, if you were to grant points based on awesomeness of theme song AND crappiness of movie, I think you might have to rate Diamonds Are Forever as the highest of the high. Song: awesome Shirley Bassey ass-kicking. Movie: Well, uh, no. It sucks a lot. I can't think of another Bond film that quite combines those two qualities so well.
So here we have:
Only Diamonds Never
Steph helped a lot with this one so if you like it you should thank her. You wouldn't like it so much without her.
Also some of my favourite music is movie music (like the Kong theme) so what are you going to do?
Now, if you were to grant points based on awesomeness of theme song AND crappiness of movie, I think you might have to rate Diamonds Are Forever as the highest of the high. Song: awesome Shirley Bassey ass-kicking. Movie: Well, uh, no. It sucks a lot. I can't think of another Bond film that quite combines those two qualities so well.
So here we have:
Only Diamonds Never
Steph helped a lot with this one so if you like it you should thank her. You wouldn't like it so much without her.
Sunday, August 20, 2006
Savage Breast, Soothed
posted by barsoomcore
Hurray for GarageBand, my lovely M-Audio "Keystation" (thank you Stephanie), and The Movie WAVs Page. I have just released my latest no-doubt-soon-to-be-topping-the-charts tune, Carpenter's Moon.
Making music is one of those things I totally suck at, but love doing. Unlike, say, football, which I totally suck at, and HATE.
There aren't many things I totally suck at and enjoy. Music. Drawing. And sleeping. I never really got the hang of that, which means I usually only do it five or six hours a night.
Which ain't healthy, but I'm just no damn good at it.
Anyways, yay! Music! Yay!
Making music is one of those things I totally suck at, but love doing. Unlike, say, football, which I totally suck at, and HATE.
There aren't many things I totally suck at and enjoy. Music. Drawing. And sleeping. I never really got the hang of that, which means I usually only do it five or six hours a night.
Which ain't healthy, but I'm just no damn good at it.
Anyways, yay! Music! Yay!
Monday, July 03, 2006
More Swashbuckling Fun!
posted by barsoomcore
Yes, the Swashbuckling Cards are BACK! Born many moons ago in a long-lost thread on good old ENWorld, Swashbuckling Cards add guaranteed fun to any campaign. We've updated the cards so they play just as nicely in True20 as they do in standard d20 campaigns, and along the way they've been compatibilized (?) with games like Grim Tales and Mutants and Masterminds. They ought to work with pretty much any game that descends from the d20 family tree.
These cards let your players mess with your storylines, cheat certain doom and generally play merry hell with all your plans. If that sounds like fun to you, download the PDF and get cracking!
These cards let your players mess with your storylines, cheat certain doom and generally play merry hell with all your plans. If that sounds like fun to you, download the PDF and get cracking!
Sunday, June 25, 2006
True20 Character Sheet
posted by barsoomcore
And now a full-blown character sheet for True20 players. Takes care of the niggling issues on the "official" sheet without changing the layout much, but includes some new handy stuff -- you can note your adept's increasing Fatigue Save penalties under the "Fatigue Save Modifier" header, and there's slots for Power Bonuses and Power Save DCs. Also a handy key to keep track of which powers require concentration, maintenance or mental contact, and which are fatiguing. Also has a slot for Grapple Bonus, which is one of those numbers I always seem to end up using more often than not.
Of course we'll be using a version of this for our upcoming playtest session at Drexoll Games, July 8th. One brave soul has already signed up. Who else dares? The SLAVE QUEEN awaits...
Of course we'll be using a version of this for our upcoming playtest session at Drexoll Games, July 8th. One brave soul has already signed up. Who else dares? The SLAVE QUEEN awaits...
Sunday, June 18, 2006
True20 Fun!
posted by barsoomcore
So it's looking like Dino-Pirates of Ninja Island is likely to be some variant on Green Ronin's rather excellent True20 system. I like the system, even if it does have a few peculiarities. Especially the remarkably poor job the rulebook does of explaining some of the key rules.
Like damage. The damage section makes no sense, and it's only with some careful review of assorted message boards that I managed to piece together what's SUPPOSED to happen.
And the "official" character sheet wildly deviates from the rules in a number of places.
But anyway, I am liking the rules themselves and they're definitely the right sort of spirit for that Dino-Piratey feel. Ar. And, armed with the experience of playing it once, I've gone ahead and made my first True20 playing aid: an NPC record sheet for GMs to, uh, record NPCs on. There's six blocks on each sheet, where you can note down the pertinent details on any and all NPCs you need to worry about.
Enjoy!
Like damage. The damage section makes no sense, and it's only with some careful review of assorted message boards that I managed to piece together what's SUPPOSED to happen.
And the "official" character sheet wildly deviates from the rules in a number of places.
But anyway, I am liking the rules themselves and they're definitely the right sort of spirit for that Dino-Piratey feel. Ar. And, armed with the experience of playing it once, I've gone ahead and made my first True20 playing aid: an NPC record sheet for GMs to, uh, record NPCs on. There's six blocks on each sheet, where you can note down the pertinent details on any and all NPCs you need to worry about.
Enjoy!
Friday, May 12, 2006
Peking Opera Map
posted by barsoomcore
In case I hadn't mentioned it before, Stone Software's Create is one of my favourite pieces of software ever. Right up there with Sketch-Up and VoodooPad.
And every so often I just want to fart around in a piece of software I love and make stuff. Which is where these battlemaps come from.
Here's a Peking Opera House to go with the Teahouse we've already offered. Guaranteed fun!
And every so often I just want to fart around in a piece of software I love and make stuff. Which is where these battlemaps come from.
Here's a Peking Opera House to go with the Teahouse we've already offered. Guaranteed fun!
Thursday, January 19, 2006
Battle On High!
posted by barsoomcore
At last the FREE Adventure for INFINITE: Epic Modern is available!
Battle On High is fresh off the digital press and ready for perusal!
Finally. That one took a while. But next up we have Fantasy Incorporated, a cynical, but hilarious view of what happens when Big Business meets High Fantasy. Stay tuned!
Battle On High is fresh off the digital press and ready for perusal!
Finally. That one took a while. But next up we have Fantasy Incorporated, a cynical, but hilarious view of what happens when Big Business meets High Fantasy. Stay tuned!
Wednesday, December 07, 2005
Did You Ever Hear of... Kong?
posted by barsoomcore
In celebration of Mr. Jackson's re-release of the original classic of all classics, I have created Kongadelica. It's not a thing of beauty, but it makes me giggle.
I love GarageBand almost more than I can stand.
I love GarageBand almost more than I can stand.
