other sites
topics
archives
- April 2005
- May 2005
- June 2005
- July 2005
- August 2005
- September 2005
- November 2005
- December 2005
- January 2006
- February 2006
- March 2006
- April 2006
- May 2006
- June 2006
- July 2006
- August 2006
- September 2006
- October 2006
- November 2006
- December 2006
- January 2007
- February 2007
- March 2007
- April 2007
- May 2007
- June 2007
- July 2007
- August 2007
- September 2007
- October 2007
- November 2007
- December 2007
- January 2008
- February 2008
- March 2008
- April 2008
- May 2008
- June 2008
- July 2008
- August 2008
- September 2008
- October 2008
- November 2008
- December 2008
- January 2009
- February 2009
- March 2009
- April 2009
- May 2009
- June 2009
- September 2009
- November 2009
- December 2009
- March 2010
- April 2010
- June 2010
- August 2010
- January 2011
- July 2011
- November 2011
Wednesday, June 20, 2007
SO Scratch Factory
posted by barsoomcore
I've been following Katie Can Draw for a few months now, watching her get better and more imaginative over time. It's awesome watching an artist poke away at things, experiment and sccribble and whatnot. Her latest is "desk art":
This is so completely what I'm stumbling about with here at Scratch Factory. Just working with what you got, accepting constraints because there's ALWAYS constraints. And if I recognize and accept my constraints, then I can really make the best of what's around me, since I'm not wishing (or worse, believing) I have resources I don't.
I mean look at that! It's made with LIQUID PAPER, for crying out loud! And a gold felt pen! I'm so in love with that I don't know what to say.
But I'll think of something.
Sometimes, of course, not accepting one's constraints is a good thing. I recall a conversation long ago when Dan started describing all the things his perfect operating system would -- how it wouldn't be anything like Windows or Mac OS or anything, and in listening to him talk I realised that I just didn't think like that.
If you give me a nail and a board and a rock, I'll sit there all day trying to get that lumpy rock to drive that nail into that board. Wouldn't EVER occur to me that maybe I should go look for a hammer. I'll just keep restraightening that poor old nail and trying again.
Which is great if you just need a nail in a board and don't need either to be in very good condition when they're done. Great when you don't want to spend the $$$ to buy a hammer. But not so great if you need a thousand nails in a thousand boards by the end of the day. Or if you need the nail straight and strong and the board smooth and unmarked.
Which is pretty Scratch Factory, too.
Anyway, I thought that geisha girl was pretty awesome.
This is so completely what I'm stumbling about with here at Scratch Factory. Just working with what you got, accepting constraints because there's ALWAYS constraints. And if I recognize and accept my constraints, then I can really make the best of what's around me, since I'm not wishing (or worse, believing) I have resources I don't.
I mean look at that! It's made with LIQUID PAPER, for crying out loud! And a gold felt pen! I'm so in love with that I don't know what to say.
But I'll think of something.
Sometimes, of course, not accepting one's constraints is a good thing. I recall a conversation long ago when Dan started describing all the things his perfect operating system would -- how it wouldn't be anything like Windows or Mac OS or anything, and in listening to him talk I realised that I just didn't think like that.
If you give me a nail and a board and a rock, I'll sit there all day trying to get that lumpy rock to drive that nail into that board. Wouldn't EVER occur to me that maybe I should go look for a hammer. I'll just keep restraightening that poor old nail and trying again.
Which is great if you just need a nail in a board and don't need either to be in very good condition when they're done. Great when you don't want to spend the $$$ to buy a hammer. But not so great if you need a thousand nails in a thousand boards by the end of the day. Or if you need the nail straight and strong and the board smooth and unmarked.
Which is pretty Scratch Factory, too.
Anyway, I thought that geisha girl was pretty awesome.
Labels: Unspecified Coolness